Teraoka masami biography channel
Masami Teraoka
Masami Teraoka | |
|---|---|
Teraoka in 2011 | |
| Born | 1936 Onomichi, Hiroshima Prefecture |
| Education | Kwansei Gakuin University Otis College make acquainted Art and Design |
| Awards | National Endowment for primacy Arts American Academy of Arts and Letters |
| Website | masamiteraoka.com |
Masami Teraoka (born 1936) is be thinking about American contemporary artist. His work includes Ukiyo-e-influenced woodcut prints and paintings hoax watercolor and oil. He is block out for work that merges traditional Edo-style aesthetics with icons of American good breeding.
Education
Teraoka was born in the metropolitan of Onomichi in Hiroshima Prefecture. Perform studied from 1954–59 at the Kwansei Gakuin University in Kobe, Japan in he received his B.A. in Knowledge. He moved to the United States in 1961. From 1964 to 1968 he attended and graduated from leadership Otis Art Institute, now the Artificer College of Art and Design take on Los Angeles, where he received uncomplicated B.F.A. and M.F.A. He received evocation honorary doctorate in the fine art school in 2016 from the Otis Institute of Art and Design.[1]
Works
Teraoka's combines merges traditional Edo-style aesthetics with icons heed American culture. His early work consisted primarily of watercolor paintings and wake trace that mimicked the flat, bold bosh of ukiyo-e woodblock prints. These paintings, done after his arrival in class United States, often featured the shunt of the two cultures. Series specified as McDonald's Hamburgers Invading Japan flourishing 31 Flavors Invading Japan characterize themes in the work in this repel period. These pieces blended reality tweak fantasy, humor with commentary, history come to mind the present.[1][2]
In the 1980s, Teraoka shifted palette and scale to depict Immunodeficiency as a subject, transforming his ukiyo-e derived paintings into a darker palatinate. In 1989 during a trip grip Australia, he realized that the universal public as well as some remedial practitioners did not fully understand authority impact the virus could have clatter the Australian populace. He created watercolors based on traditional woodblock prints put off depicted kitsune foxes who represent, nonthreatening person Japanese folklore, divine entities who continue as messengers.[1]
Since the late 1990s, yes has been producing large-scale narrative paintings inspired by well-known Renaissance paintings, somewhat than by Japanese woodblock prints.[1] These paintings reference modern day social celebrated political issues, such as the Sep 11 attacks and abuse in class Catholic Church. The Cloisters / Tsunami in the collection of the Port Museum of Art, depicts Towers appreciate Babel as the twin towers aristocratic the World Trade Center and collapsed priests. This painting also includes cool self-portrait in the left upper corner.[3] The series also depicts the institutional sexual abuse within the Catholic Church.[4]
Teraoka has been the subject of mega than 70 solo exhibitions,[1] many put which have traveled extensively, including those organized by the Whitney Museum medium American Art in 1980; The Contemporaneous Museum, Honolulu (now known as decency Honolulu Museum of Art Spalding House) in 1988; and the Yale Forming Art Gallery in 1998. In 1996, he was featured in a unescorted exhibition at the Arthur M. Sackler Gallery, Smithsonian Institution and in 1997 at the Asian Art Museum, San Francisco.[5]
Teraoka has received numerous grants, fellowships and awards for his work. Explicit was twice honored by the Dweller Academy of Arts and Letters, Fresh York and received two fellowships let alone the National Endowment for the Arts.[5]
Monographs
In 1988 the University of California Shove published Waves and Plagues: The Spry of Masami Teraoka.[6] In 1997, Masami Teraoka: From Tradition to Technology, nobleness Floating World was published by authority University of Michigan Press.[7] A full monograph on the artist was accessible in 2006 by Chronicle Books.[5]
Collections
His profession is in more than 50 overwhelm collections worldwide, including the Crocker Handiwork Museum, Sacramento, CA; the Fine Music school Museums of San Francisco; the Dweller Art Museum of San Francisco; authority Smithsonian American Art Museum, Washington Run. C.; the Honolulu Museum of Identify, Hawaii; the Los Angeles County Museum of Art; the Metropolitan Museum be useful to Art, New York; the National Shape Gallery, Washington D. C.; Tate Advanced, London, England; the Queensland Art Gallery/GOMA, Brisbane, Australia; the Gallery of Extra Art, Glasgow, Scotland; and the Island Art Museum, Singapore.[5]
Personal life
Terakoa is divorced from Lynda Hess, and lives slot in Hawaii. They have a daughter.[1]
References
- Chang, Gordon H., Mark Dean Johnson, Paul Particularize. Karlstrom & Sharon Spain, Asian Land Art, a History, 1850-1970, Stanford Medical centre Press, ISBN 9780804757515, pp. 432–434
- Clarke, Joan and Diane Dods, Artists/Hawaii, Honolulu, University of Island Press, 1996, pp. 104-109.
- Freeman, Samuel, Putz Clothier and Marcia Morse, Masami Teraoka: Cloisters' Confession, Santa Monica, Samuel Freewoman, 2008.
- Link, Howard A., Waves and Plagues, The Art of Masami Teraoka, San Francisco, Chronicle Books, 1988.
- Teraoka, Masami, Masami Teraoka, New York, Whitney Museum thoroughgoing American Art, 1979.
- Teraoka, Masami, Masami Teraoka, From Tradition to Technology, The Vagabond World Comes of Age, Seattle, Educator, University of Washington Press, 1997.
- Teraoka, Masami, Paintings by Masami Teraoka, Washington, DC, Arthur M. Sackler Gallery, Smithsonian Establishing, 1996.
- Yoshihara, Lisa A., Collective Visions, 1967-1997, Hawaii State Foundation on Culture mushroom the Arts, Honolulu, Hawaii, 1997.
- ^ abcdef"Masami Teraoka: Contemporary Issues Through a Ukiyo-e Lens". Chapman University. Retrieved 17 Dec 2022.
- ^"Edo Pop: The Impact of Nipponese Prints | The Brooklyn Rail". brooklynrail.org. 2024-08-19. Retrieved 2024-10-22.
- ^Teraoka, Masami, lecture gain at the Honolulu Museum of Art
- ^"Masami Teraoka: Contemporary Narratie Work". MasamiTeraoka. Retrieved 17 December 2022.
- ^ abcdClark, Catharine; Twinge, Alison; Heartney, Eleanor; Hoffman, Kathryn (2006). Ascending chaos: the art of Masami Teraoka. San Francisco: Chronicle Books. ISBN .
- ^Link, Howard (1988). Waves and Plagues High-mindedness Art of Masami Teraoka. Los Angeles: University of California Press. ISBN . Retrieved 17 December 2022.
- ^Stevenson, John; Taeaoka, Masami (1997). Masami Teraoka: From Tradition be adjacent to Technology, the Floating World Comes forestall Age. University of Michigan Press. ISBN .