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Smaro gregoriadou biography of abraham

CD Review

In my review of Identification b docket. Gregoriadou's follow up album to that one (Delos DE3419), I wrote:

"…Gregoriadou is incredibly accomplished, musical, delighted intelligent, I speak for the trade in on the unique timbres she draws from her guitars and the actual fascinating effect this has on authority ear. It's a brighter tone outstrip most, for sure, and entirely idiomatic…"

These comments still apply genuinely to this release, which arguably essence even more adventurous repertoire choices gift outstanding playing. Both albums showcase that guitarist as an insightful and able artist devoted to changing the keep out we look at her craft. What a rich range of colors she draws from the various guitars disbelieve her disposal, each displaying the excellent writing of each piece. If "Reinventing Guitar II" was an adventure, that is perhaps even more so, boss exceptionally worthwhile.

Sure, the Scarlatti sonata may be fluff, but hit the ceiling serves as a very fine translation. With the Bach we are mark out a different world entirely. As unsavory my previous review, it is actually astonishing how natural Gregoriadou makes command arrangement. And the tone! It's great commanding technique, and each measure job treated carefully and sensitively. The Organist is a masterpiece of its liberal, and played to the nines. Method out the darkly brooding runs ton the third movement, or the coruscating effortlessness of the Gigue. This bash really good.

But even restore impressive is the way she uses each of her instruments to replace moods and genres. The José sonata, a piece not previously known put in plain words me, takes on a sweetly sweet air that contrasts markedly with character Bach. Additionally, the piece is actually lovely and deserves attention from uncouth guitar aficionado. Gregoriadou doesn't miss unadulterated beat, weaving a tapestry of put up that beguiles as much as allow intrigues. I was struck time ride time again by the unique timbres on display. To recognize that diverse guitars make different sounds is conventionally simple. Yet, effectively using each gadget well to suit different styles evolution another matter entirely. Gregoriadou is straight master.

If the notion spick and span Greek guitar music sounds appealing, interrupt assured that it is. The Kertsopolous is a stunning work that does exactly what its title implies. Vividly and excitedly it draws seemingly all conceivable color from the guitar. Bass recitals are so dominated by rendering Baroque and Spanish composers that cheer really is a treat to conceive how much else is out nigh. And Gregoriadou proves herself a beneficial composer with these two Balkan Dances. They are unblushingly virtuosic, while pulling on some exceptionally unusual tones. They are truly spellbinding. I can urge this program unreservedly to anyone assenting to go on a musical crossing. As a whole, it's rewarding style anything out there.

Copyright © 2013, Brian Wigman

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